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Look out too for the climatic 'slow motion' sequence.

Movie culture is openly lambasted, starting with King Kong, and taking in an opening title sequence (theme song by Isaac Hayes, a year before South Park) that parodies both Shaft and Charlie's Angels. President Clinton even makes an appearance towards the end. The plot is brilliantly silly, with the two boys getting involved, unwittingly, in a plot that sees a killer virus, attempted murder and the emergence of World War III. Judge obviously knew when he was on to a good thing and built a series around this great character. But best of all is their neighbour, redneck Tom Anderson (Catchphrase: 'I'd love to get my hands on those two b******s for whacking off in my camper van'), who, while not the same character, has the exact same voice, personality and appearance of Hank from 'Hill'. It's a testament to the profile of the cartoon that Englebert Humperdinck gives his own rendition of this for the end titles. For a start, we have Beavis and Butthead's hippie teacher, who gently strums his spiritual song, 'Lesbian Seagull'. Do America sensibly opens out the scope, taking in less broad targets. The somewhat obvious satire lacks the gentle wit of Mike Judge's other creation, 'King of the Hill', and spending 80 minutes in their company was a dubious prospect. I was never very taken with Beavis and Butthead's short sketches on MTV, and in truth they've never really taken off in England the same way they did in the States. I enjoyed this film a lot more than I expected to.

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